Chelsea Miller, M.A. student, History Department
One broad theme I noticed during this weekend’s conference was the translation of ideas from abstract forms to material consequences. From aesthetics and political imagination to social justice in the classroom, my attention was drawn to the question of how our ideas and imagination manifest as art, interpersonal interactions, and teaching materials. These can either uphold or resist power dynamics and oppression.
Chelsea Miller asking a question during the opening panel
Emily Hunter hard at work in University Special Collections
By Emily Hunter, M.A. Student, Department of History
This summer, with support from a Charles K. Hyde internship scholarship, I have been interning at the Special Collections and University Archives of the W.E.B. Du Bois Library at UMass Amherst. My major project has been processing and creating a finding aid for the papers of the Diana Mara Henry Collection. Born in 1948, Henry is a photojournalist best known for her documentation of sociopolitical activism of the late 1960s to the early 1980s. With her camera and pen, she followed the 1972 and 1976 Democratic presidential campaigns (McGovern and Carter campaigns), served as the official photographer for the President’s Commission on International Women’s Year and the First National Women’s Conference, and photographed the activities of a variety of well-known politicians and activists, including Shirley Chisholm, Al Lowenstein, Elizabeth Holtzman, Liz Carpenter, Gloria Steinem, Bella Abzug, Jane Fonda, and Eugene McCarthy. Additionally, Henry captured images of the political demonstrations of organizations such as Vietnam Veterans Against the War (VVAW) and the Women’s Pentagon Action Committee. Henry also photographed the New York City fashion scene in the 1970s and, in the decades to follow, pursued work as a photography instructor, arts administrator, newspaper journalist, and independent scholar and researcher. Her photojournalism has appeared in a wide array of publications, including Time and New York Magazine and in collections at the National Archives, the Library of Congress, and the Schlesinger Library at Harvard.