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Nolan Cool, Public History M.A. Candidate, UMass Amherst

What happens when museum professionals and public historians gather to discuss the future of historic house museums and face the challenge of thinking outside the box? To tackle these hard questions head on, the Greater Hudson Heritage Network (GHHN), New York State Council for the Arts (NYSCA), and “Museum Maverick” and co-author of the Anarchist’s Guide to Historic House Museums (2016) Franklin Vagnone, hosted a “creativity incubator” workshop for regional organizations at Boscobel House and Gardens in Garrison, New York on April 25, 2017. Nearly 40 museum professionals attended the event to explore fresh interpretive ideas and push the boundaries of programming and operations at historic sites and house museums.

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Our eager group started the day with introductions and an exercise making sense of context, interpretation, and examining biases in presenting museum collections. To illustrate his point, Vagnone poured the contents of a bowl (represented a museum collection) out on the floor and asked the group to make sense of it. Naturally, we organized the material by type. Playing the role of a selective funder, Vagnone kicked everything out of order, asserting that he only wanted materials that were white in color. Several minutes later, our group placed the white bowl at the center of the floor, filled it with toilet paper, surrounded it with face down index cards, and sorted out white tic tacs, smarties, and life savers. After we completed this hands-on exercise, Vagnone explained that museums often treat collections selectively, thereby actively omitting narratives, stories, and broader context(s) that contribute to a more interesting interpretive narrative. In this collaborative exercise, he labeled standard curation pratices and institutional bias as one in the same. He also explained that selective periodization narrows interpretive opportunities and creates a bland narrative that loses the human aspects of a historic house museum’s story.

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